So if this was some sort of critical last stand, a desperate ploy by critics to display their power by circling the wagons, it seems to have failed. Even if The Social Network wins the Oscar as expected, Freedom the Pulitzer Prize and Boardwalk Empire the Emmy, it would only serve to confirm the breach that now seems to exist between the critics and the public. Once upon a time, critics could close that breach through a process close to cultural brainwashing. They could get people to see and love The Social Network, to read Freedom, to watch Boardwalk Empire. Now they can’t.

The usual suspect in this immunisation is the internet. It is certainly no secret that the internet has eroded the authority of traditional critics and substituted Everyman opinion on blogs, websites, even on Facebook and Twitter where one’s friends and neighbours get to sound off. What is less widely acknowledged is just how deeply this populist blowback is embedded in America and how much of American culture has been predicated on a conscious resistance to cultural elites. It is virtually impossible to understand America without understanding the long ongoing battle between cultural commissars who have always attempted to define artistic standards and ordinary Americans who take umbrage at those commissars and their standards.

This is hardly a recent occurrence occasioned by the internet and other democratising elements. It actually began at the country’s inception when political opposition to England bled into a form of cultural opposition as well. Europe was seen as effete, corrupt, supercilious and haughty. By contrast, ordinary Americans saw themselves as manly, honest, commonsensical and populist, and early on they tried to fashion a culture that manifested these characteristics – an American culture divorced from any European antecedents, a democratic culture.

— via The Guardian, from the article "Everyone’s a critic now."